1900 Beaded Shoes

I'VE been a wedding planner for more than 25 years and have planned over 1000 ...

I'VE been a wedding planner for more than 25 years and have planned over 1,000 weddings.

So, when I was asked by Global News and ET Canada to be one of the "experts" and part of their reporting team that would be based at the media village at Canada Gate, opposite Buckingham Palace, on the day of the royal wedding – well decisions, decisions!

I travelled to London from Lichfield Trent Valley station the day before and on the platform there were a group of women who were going to camp out the night before the wedding so they could get a vantage point by Clarence House.

They had a local TV crew reporting on their trip.

I arrived at the Mayfair Hotel, and was met by the team. We were given our media passes and escorted to the gate of the media campus.

I was amazed to see how many television networks were set up from all over the world.

There were hundreds of satellite dishes dotted everywhere, miles of cables, parked trucks and various marquees and tents. It was a hive buzzing with activity.

It was massive news when Prince Charles and Diana were to be married, but this time round it was utterly monolithic.

Back in 1981, 550 accredited journalists and broadcasters descended to cover the royal nuptials but on this occasion that was closer to 7,500.

We, the experts, were based in the trailer until required in the hub, which was a scaffold tower with individual pods where each television network had their own view of Buckingham Palace and the Mall.

Next door to us at Global was the Australian network and Dame Edna Everage was reporting back with royal correspondent James Whittaker.

The day started with hair and make-up at 6am and strong hot coffee with breakfast.

We took a walk through the park to the media village and already people were getting their places in front of the big screens.

The anchors for the day were Cheryl Hickey and Dawna Friesen (high profile Canadian TV hosts) and they were already filming voice overs and clips.

They both looked stunning and were pleased to see us all ready to go.

The producer, camera men, sound guys and assistants were all set and we were on countdown.

It takes a lot of people behind the scenes to make a TV production and this was no exception. Everything was going out live – there could be no mistakes – and a plan B for everything had to be thought of.

High Button Shoes | THEATRE HISTORY

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About the Author This is a museum quality, reproduction print on premium paper with archival/UV resistant inks. [ca. 1900]Title devised by Library staff. Photographer unidentified. Forms part of: Artistic photographs collected by Frances Benjamin Johnston in the Frances Benjamin Johnston Collection.1 photographic print : platinum ; 14 x 10 cm. mounted on card. Girls–1900. Churns–1900.SOURCE: Library of Congress… This is a museum quality, reproduction print on premium paper with archival/UV resistant inks. [ca. 1900]Title devised by Library staff. Photographer unidentified. Forms part of: Artistic photographs collected by Frances Benjamin Johnston in the Frances Benjamin Johnston Collection.1 photographic print : platinum ; 14 x 10 cm. mounted on card. Girls–1900. Churns–1900.SOURCE: Library of Congress… This is a museum quality, reproduction print on premium paper with archival/UV resistant inks. [ca. 1900]Title devised by Library staff. Photographer unidentified. Forms part of: Artistic photographs collected by Frances Benjamin Johnston in the Frances Benjamin Johnston Collection.1 photographic print : platinum ; 14 x 10 cm. mounted on card. Girls–1900. Churns–1900.

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